Words With: James Whipple (Hesaitix, M.E.S.H.)
Musical hiatuses, production flow, artistic growth, connecting with listeners, doing your own thing.
Writer, music liker, sometimes event producer. Bay Area-based.
Musical hiatuses, production flow, artistic growth, connecting with listeners, doing your own thing.
Hesaitix; Thomas Bush; Daria Lourd; V/Z; Shackleton & Six Organs of Admittance; Young Echo; TRii Group; Danny Daze; Dregs.
An interview with San Francisco club organizers Icee Hot, originally published in 2015.
Growing up queer and trans in Ohio; DJing as an artform; music as a communal force and conduit for love and joy.
Home-listening techno-house; micro-dub minimalism & phantom acoustics; body music as tesseract; techno-pop obsessions; bass music as galaxy.
Mentioned: The Postal Service, 12-LP albums, Pachanga Boys, Burning Man, $1500 records, Brian de Palma's "Body Double," Philip Glass, Sufjan Stevens, philosophical inquiry, Ship of Theseus.
Marx would surely have loved the club, but would have been aghast at the economic conditions therein.
Hong Kong, pop-up vending, records as journaling, cultural currency, sustainability, retail as cooperative ecosystem.
For New Industrial artists and labels, the refusal to be categorized is the category.
The complete transcript of my 2015 conversation with Autechre, published for the first time—in two parts.
The complete transcript of my 2015 conversation with Autechre, published for the first time—in two parts.
A nearly 10-year old feature on Autechre—with the complete interview transcript to follow.